Decoration & Accessories
Decoration & Accessories · For further exploration
07.10

The vase, a silent focal point

One beautiful vase does more than ten mediocre ones

The vase is the most neutral decorative object. It can receive a branch, a flower or nothing. And it is the one that changes a room the most.

The vase, a silent focal point
In short

How do you turn a vase into a room's focal point?

Buy one beautiful vase rather than ten mediocre ones. It works three ways: a sculptural presence even when empty, a living rhythm filled with branches or flowers by season, and a material accent. Match its size to the surface and place it alone.

§ 01The principle

The vase is the most universal decorative object. It can be placed anywhere, adapted to any style, receive any plant or remain empty. But its power lies in restraint: one beautiful vase does more than ten mediocre ones.

Three functions of a well-chosen vase. A sculptural presence: even empty, a beautiful vase commands attention. A living rhythm: filled with cut branches, wild flowers, or a single stem, it changes the room by season and week. A material accent: ceramic, glass, metal, stone, the vase adds a texture that complements the room's other materials.

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The vase, a silent focal point · diagram
Formula to remember

One beautiful vase rather than ten mediocre ones · Size adapted to the surface

A small vase on a coffee table. A medium vase on a console. A large vase on the floor.

§ 02Putting it into practice

Choosing the right material. Raw ceramic (white, grey, terracotta): the universal neutral, works anywhere. Blown glass (transparent or coloured): more fragile, very beautiful in a sunny space. Stone or marble: more architectural, for formal interiors. Glazed ceramic: shinier, more traditional or Art Deco.

Choosing the right size. The vase must be proportional to the surface it occupies. On a 60 cm coffee table: 20-25 cm vase. On a 1.20 m console: 30-40 cm vase. On the floor: 50-60 cm or more.

Choosing what to put in it. Dried or fresh flowers, a single stem, natural branches (eucalyptus, olive, flowering cherry), palm leaves, nothing at all. A beautiful empty vase is as legitimate as a full one.

Placing the vase. Centre of a console (in triangular composition with two other objects). Centre of a dining table for meals. Corner of a living room, placed on the floor for large models. On a shelf, in a mixed composition with books and objects.

In small interiors. One beautiful medium vase is enough. Place it on the coffee table or entrance console. Change the plants by season, and the room lives.

§ 03Professional variations

Pierre Yovanovitch works with contemporary ceramicists for his projects. Bespoke vases, signed by Eric Roinestad, Aaron Poritz, Adam Silverman. These pieces become artworks as much as containers.

Astier de Villatte has become an absolute reference in decorative ceramics. Their vases in white glazed earthenware with artisan patinas are recognisable at a glance and timeless.

A sophisticated practice: vase placed directly on the floor (large model, 60 cm+), without pedestal, in a room corner. Raw and architectural effect, very Studio KO.

In one sentence

One beautiful vase is enough; ten mediocre ones clutter.

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For this rule

  • Serax · Vase 5 Héléna Marie
    Serax · Vase 5 Héléna Mariethe centerpiece
    See
  • Maisons du Monde · Vases en céramique blanchethe smart move
    See

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